My connection to mirror as a material goes back nearly a century in my family.
My grandfather and father worked with mirror and glass as their trade, industrial, functional, built for commerce rather than contemplation. I grew up surrounded by the material, learning its behavior intuitively long before I understood it as art.
My mother, a painter and sculptor, shaped the other half of me. Across my practice I've tried to bridge these two inheritances; taking a material rooted in craft and industry and pushing it toward something delicate, geometric, and expressive.
Because I know this material so well, from decades of hands-on familiarity, I can push it further than its traditional use allows. Every piece carries that inherited knowledge, reframed through an artistic eye.
Placeholder pieces shown above — replace each tile with a photograph of your own artwork. Instructions are in the README included with this file.
No exhibitions yet — this page will be updated as shows are announced.
Notes on process, from raw sheet to finished panel.
On craft, industry, and inheriting a material.
Geometry, light, and Iranian mirror art.